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More to the point, I would like to see you carefully and critically apply the ideas of these thinkers to The Epic of Gilgamesh. An epic usually contains a vast area geographically that the hero travels, symbolism, different types of characters, contains tropes, maybe a romance, always a death, and usually something false like powers. Will Bassett on January 29, at pm said: Gilgamesh is certainly an epic based on the style in which it is written. He travels all over, first with his friend Enkido then on his own. Reading this story, it showed one point, how Gilgamesh was a hero, by stating that he did not leave the boys or girls alone. I can understand how Gilgamesh is viewed as both a myth and an epic. At the time this was written cedar wood was believed to be magical, it is the preferred wood for coffins because it is resistant to insects.{/INSERTKEYS}{/PARAGRAPH} Both of these epics main characters are searching for the meaning of life in some form with a drive to achieve glory and their name to last for eternity. Great job, you got me thinking! One example is the cedar forest. It is written in the format of an epic, and holds the central elements of an epic story. These stories are aptly named, not for their length, but for their subject matter of perseverance in worlds unlike anything we would ever hope to experience. His death throws Gilgamesh into sadness and then spurs his second journey. In the story of Beowulf, he is faced with fighting off a dragon in his old age. {PARAGRAPH}{INSERTKEYS}The Myth or Epic? They then set out to destroy Humbaba which is accomplished. He starts out a mean, powerful king, and ends as a man fearing death. Victoria Wheeler on January 29, at pm said: An epic is usually a poem of relatively long length that describes the actions and pursuits of a character in the poem. During his journey for eternal life he met people that believed his journey was in a way foolish they continued to help him, even the tavern keeper warning him about immortality and saying he should be satisfied with what the world has to offer. He chooses to initiate upon his journey to discover a way in which he can become immortal only to return right back to the place in which he started—a mortal whose days are numbered and eventually will have to face his own death. belloc1 on January 29, at am said: Men such as Aristotle and Joseph Campbell payed frame work for myths of all kinds from tragedies to creation myths and everything in between. However it is quite obvious in the beginning that the author wants the reader to see him as a heroic figure. Bookmark the permalink. One man has a journey for varying reasons, gods throw obstacles in the way to trip up the hero that ultimately fail, and the hero is changed by the end after learning how his journey has changed him. I believe an epic reinstates a piece of history and explains who or what the hero was. Yet the title that is typically used for this historically un-named legend specifically suggests that this story is an EPIC, and not a myth per se. At the end he finds what he is searching for only to have it stolen by a snake, and gives up his search after seeing an omen. Brandon Polifrone on January 29, at pm said: The story of Gilgamesh fits the criteria of an epic for multiple reasons. Along this journey Ur-Shanabi the boatman tells him the story of the great flood that the Gods caused. It is always interesting when your able to point out those differences. It is written not as a story but instead as a poem, much like the epic The Odyssey written by Homer. The plot of Gilgamesh mirrorrs many of the plots seen in ancient myths. Throughout the story I feel that Giglamesh always had some sort of power present, even if it did not seem like he had power. Gilgamesh is an epic due to the length of the text and also how it is written in poetic format. January 29, at pm said: I like how you included what Gilgamesh did not have. Overall, this epic is just like any other that I have seen in the past. This can be seen in the epic of Gilgamesh where Gilgamesh goes on a adventure for his own interest and mortality so he can live forever during the adventure his friend is killed and this changes Gilgamesh. However, the plot of Gilgamesh more closely resembles the formula of Joseph Campbell and the progression of myths throught. Gilgamesh is told in the form of a long poem that deals with a heroic figure. The first journey is when Gilgamesh and Enkidu venture out into the forest to kill the god. The first story begins with Gilgamesh as an unruly king who the Gods try to match with Enkidu, who he becomes great friends with. Molly Kley on January 29, at pm said: I like how you end your post with the view of the subjects of epics as a way of persevering in the world. Does it make this myth a tragedy? His friend was his loyal companion and provided a retrospective for Gilgamesh to change before the end of the epic. How does it compare to other epics you know about, and what important things do we learn about the tale when viewing it through an epic lens? To me an epic involves some sort of main protagonist who is a larger than life figure that goes on a journey to find realization. More to the point, it is often seen as one of the finest myths of the ancient world. With the two men angering the gods interfered and in a way pushed them to their realizations that they discover in the end, which are moral lessons to the readers. He was also a king, who was considered an overlord, that had power to rape women, have forced labor, and oppressed his subjects. This prompts Gilgamesh to wonder outside of his kingdom and search for something that will make him immortal. Enkidu then becomes ill and eventually dies. This shows the separation-initiation-return as he leaves his village to venture into an unknown forest and eventually returns with the power and pride of killing a god. There are many tropes in this epic poem. After he obtains the plant that will restore youth to him, it is stolen away by a snake and Gilgamesh is left with nothing else but the fact that he must accept living and accept his fate—that he will live on without his friend, grow old, and die. There was little sin or bad behavior related and no destruction or rebirth. Later after meeting with Utnapishtim and his wife and failing the task given to him by Utnapishtim, Gilgamesh learns of a plant that grants youth. Gilgamesh is considered to be two thirds god and one third mortal, so the larger than life requirement is definitely achieved. Gilgamesh also contains a lot of metaphors. Gilgamesh has all of the above qualities. I do not think so. The character described in the poem is often portrayed as a hero who embarks on quests in order to fulfill some task and, often times, their story may end in tragedy. Gilgamesh does have the self-realization journey for immortality, but his morals stay tried and true against many advances of the gods throughout the epic. I think Gilgamesh, and even his friend Enkidu, possess aspects of themselves that make them both tragic heroes. As you can see the critical issue that may leave doubts about whether Gilgamesh is a heroic myth is his failure in his mission. This closley mirrors Joseph Campbell theory that the main character will go through a transformation and an accession similar to when giglamesh returns a better person no longer ravaged by his self intreast. This can also be seen in the in the epic of Gilgamesh a Mesopotamian epic tale. Both men were strong and fierce fighters at a point in their lives but eventually had to come to terms with their fates, just as we all do. The goddess Aruru had begged the Gods at this point in the story to find a partner for Giglamesh. Gilgamesh compares to quite a few other epics but one that comes to mind is the story of Beowulf. This story chronicles the quest of Gilgamesh accompanied by this friend Enkidu. Reading the side notes, I had a better understanding of what was going on in this story. Molly Kley on January 29, at pm said: An epic is typically a long poem that is told through word of mouth that tells the adventures of heroes or legendary figures. The larger than life requirement does fulfill, at least in my opinion, the requirements for being a hero as well. Just what IS an epic, exactly, and why does this text qualify? Kali Cavalieri on January 29, at pm said: In my opinion an Epic is a poem or narrative about a hero and his quest. To me an epic is a poem, which shows some sort of tradition from past history. Gilgamesh experiences a separation from his great friend and it sends him spiraling into a life of heartache and fear. Erica Briggs on January 29, at pm said: The interesting thing about Gilgamesh that it embodies both a hero myth as well as a tragedy. It definitely has the lessons and elements of a myth and yet it also contains the lyrical styling and long length of an epic poem. Both men were strong fighters who conquered and overcame all but Enkidu met his end as he fell ill and Gilgamesh experienced tragedy at the death of his friend and again when the plant he needed to regain his youth was stolen away by the snake. It was stated that Gilgamesh is two-thirds god and one-third man, which already separated him for the rest of his society. Some parts of this epic can also find parallel with creation myths. I think one of the most important lessons we can learn from these two epics would be the lesson that occurs at the very end of the poems—that is the acceptance of our fates. In the epic of Gilgamesh there is a serpent which takes away Gilgamesh and his cultures ability to have ever last life. Part of what makes this story an epic, is the fact that there are multiple stories which are told about Gilgamesh. I say disappoint because it did meet my personal criteria for embodying the meaning of an epic tale. With this in mind, your first possibility for this Blog post is to view and frame the story of Gilgamesh as an epic. He looses the plant to a snake where he decides to return to Uruk. Do you think, perhaps, it does contain a little bit of rebirth? Caitlyn Repa on January 29, at pm said: I enjoyed reading your comment on the epic of Gilgamesh. When I think of other epics the first one that comes to mind is another well known epic, the Odyssey. It is a long story about a man who is on a journey to discover himself. I think rebirth of Enkidu is a bit of a stretch, but interesting enough to think about! These powers can be like God powers or something as simple as incredible strength. This can also be found in the bible where the serpents tempts eve and in turn takes away societies innocence. I tend to look for similarities vs. Aristotle viewed the plot and the characters in the plot to be one of the most important parts of a myth. On their way back Gilgamesh enrages Ishtar who unleashes the Bull of Heaven who they also slay. He senses his death and accepts that as his fate as he kills the dragon but dies as a result of battling the dragon.